Regina Mason

I love the feel of a pottery bowl in my hands, speckled and satiny and heavy like an ocean rock. Yet it is a different magic that most compels me forward. As I sit at the potter’s wheel, clay hums in the palm of my hand— a subtle conversation between earth and human will. The dialogue begins in a spin of water and mud. Under motion, the clay yields. I seek to find what we call center— the contrasting stillness where intention and form begin to align. My mind settles, thought is suspended, and quiet reigns. Emerging from the kiln, each piece has become a study in balance, an alchemy of earth, water, fire and air— in which action and restraint, utility and beauty, are held in partnership. Hand-made vessels elevate how we move through life, bringing depth to the commonplace and presence to the ordinary. Their walls define the shape of empty space, a resting place within the rhythm of our days for a cup of tea, an arrangement of flowers, a collection of treasures. Every piece embodies the paradox of coexisting stillness and motion. The spirit of this moment lives on in the finished work for the future hands that hold it.